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30. července 2009 v 14:22 | hvezdnysnilek |  o blogu

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28. července 2009 v 0:28 | hvezdnysnilek |  články
Shangri-La is a fictional place described in the 1933
novel Lost Horizon by British author James Hilton. In the book, "Shangri-La" is a mystical, harmonious valley, gently guided from a lamasery, enclosed in the western end of the Kunlun Mountains. Shangri-La has become synonymous with any earthly paradise but particularly a mythical Himalayan utopia-a permanently happy land, isolated from the outside world. In the novel Lost Horizon, the people who live at Shangri-La are almost immortal, living years beyond the normal lifespan and only very slowly aging in appearance. The word also evokes the imagery of exoticism of the Orient.

The phrase "Shangri-La" most probably comes from the Tibetan ཞང་,"Shang - a district of Tsang, north of Tashilhunpo[1]" + རི, pronounced "ri", "Mountain" = "Shang Mountain" + , Mountain Pass, which suggests that the area is accessed to, or is named by, "Shang Mountain Pass".

Several places in the Buddhist Himalaya between northern India and Tibet have claimed to be the location for Hilton's fictional Shangri-La, largely to attract tourism.
In China, Tao Qian of the Jin Dynasty described a Shangri-La in his work Story of the Peach Blossom Valley (Chinese: 桃花源記, pinyin: Táohuā Yuán Jì)[citation needed]. In modern China, the Zhongdian county was renamed to 香格里拉 (Xiānggélǐlā, Shangri-La in Chinese) in 2001, to attract tourists. The legendary Kun Lun Mountains in Tibet offer other possible Shangri-La valleys.
A popularly believed inspiration for Hilton's Shangri-La is the Hunza Valley in northern Pakistan, close to the Tibetan border, which Hilton visited a few years before Lost Horizon was published.[2] Being an isolated green valley surrounded by mountains, enclosed on the western end of the Himalayas, it closely matches the description in the novel. A Shangri-La resort in the nearby Skardu valley is a popular tourist attraction.
Today, various places claim the title, such as parts of southern Kham in southwestern Yunnan province, including the tourist destinations of Lijiang and Zhongdian. Places like Sichuan and Tibet also claim the real Shangri-La was in its territory. In 2001, Tibet Autonomous Region put forward a proposal that the three regions optimise all Shangri-la tourism resources and promote them as one. After failed attempts to establish a China Shangri-la Ecological Tourism Zone in 2002 and 2003, government representatives of Sichuan and Yunnan provinces and Tibet Autonomous Region signed a declaration of cooperation in 2004. Also in 2001, Zhongdian County in northwestern Yunnan officially renamed itself Shangri-La County.
Bhutan, which was until now isolated from outside world and has its unique form of Tibetan Buddhism, has been hailed as the last Shangri-La.
Another place that has been thought to have inspired the concept of Shangri-La is the Yarlung Tsangpo Canyon.
TV Presenter and historian Michael Wood, in the "Shangri-La" episode of the PBS documentary series In Search of Myths and Heroes, suggests that the legendary Shangri-La is the abandoned city of Tsaparang, and that its two great temples were once home to the kings of Guge in modern Tibet.
American explorers Ted Vaill and Peter Klika visited the Muli area of southern Sichuan Province in 1999, and revealed that the Muli monastery in this remote region was the model for James Hilton's Shangri-La, which Hilton learned about from articles on this area in several National Geographic Magazine articles in the late 1920s and early 1930s written by Austrian-American explorer Joseph Rock[3]. Vaill completed a film based on their research, "Finding Shangri-La", which debuted at the Cannes Film Festival in 2007.

Modern usage
There are a number of modern Shangri-La pseudo-legends that have developed since 1933 in the wake of the novel and the film made from it. The Nazis had an enthusiasm for Shangri-La, where they hoped to find an ancient master race, similar to the Nordic race, unspoiled by Buddhism. They sent one expedition to Tibet, led by Ernst Schäfer in 1938.
Another pseudo-legend involves the Ojai Valley as the location for the 1937 Frank Capra film Lost Horizon. The outdoor scenes of the villagers of Shangri-La and a cavorting Ronald Colman and Jane Wyatt were in fact filmed in nearby Sherwood Forest (Westlake Village) and Palm Springs. The exterior of the grand lamasery was built and later dismantled on the Columbia Ranch in Burbank, California.[4] However, according to film historian Kendall Miller in the photodocumentary bonus feature on the "Lost Horizon" DVD, an aerial shot of Ojai Valley taken from an outlook on Highway 150 was used to represent the Shangri-La valley.
United States President Franklin Delano Roosevelt, being considerably fond of Hilton's novel, named the presidential retreat now known as Camp David "Shangri-La" in 1942. In that April, United States bombers secretly launched from the aircraft carrier Hornet bombed Tokyo in a daring raid led by Colonel Jimmy Doolittle. Since Tokyo was far out of range of any American bomber base at the time, there was intense speculation as to where the bombers had come from. President Roosevelt facetiously told a press conference that the bombers had flown from Shangri-La. In line with this pleasantry, one of the aircraft carriers used in the Pacific Ocean was subsequently named USS Shangri-La.
In 1937, Lutcher Stark, a prominent Texas philanthropist, started building his own Shangri-La in Orange, Texas. His Shangri-La was a beautiful azalea garden situated along a cypress/tupelo swamp. By 1950, thousands of people were traveling to Orange to visit Shangri La. Every major magazine dealing with gardens published photographs of the beautiful Shangri La in Texas. In 1958, a major snowstorm struck east Texas, destroying thousands of azaleas and closing the garden for forty years. The garden has recently been renovated and is now open to the public once again.

Use as metaphor and figure of speech
Shangri-la is often used in a similar context to which "Garden of Eden" might be used, to represent a perfect paradise that exists hidden from modern man. It can sometimes be used as an analogy for a life-long quest or something elusive that is much sought. For a man who spends his life obsessively looking for a cure to a disease, such a cure could be said to be that man's "Shangri-La". It also might be used to represent perfection that is sought by man in the form of love, happiness, or Utopian ideals. It may be used in this context alongside other mythical and famous examples of somewhat similar metaphors such as The Holy Grail, El Dorado, The Fountain of Youth, and to an extent "white whale" (referring to the white whale chased by the obsessed Captain Ahab in the book Moby-Dick).
Politically and geographically, the independent and previously-independent nations isolated from the West, such as Tibet, Nepal, Bhutan, Sikkim, Tuva, Mongolia, the Tocharian Tushara Kingdom of the Mahābhārata and the Han Dynasty outpost Dunhuang have each been termed Shangri-Las.


(zdroj: Wikipedia)

Baraka - Odyssea Země (film)

27. července 2009 v 18:27 | hvezdnysnilek |  co nejde zařadit
Ron Fricke stál v roce 1983 za kamerou při natáčení filmu KOYAANISQATSI. Tato první část cyklu režiséra Godfreye Reggia a hudebního skladatele Philipa Glasse zachytila umělecky výjimečnou formou obraz industrializovaného amerického kontinentu. Druhou částí zamýšlené trilogie bylo POWAQQATSI (1988), fascinujícím způsobem ztvárňující krásu a ošklivost Třetího světa. Oba filmy spojovala experimentální forma; výtvarně působivé záběry byly střihem a triky rytmizovány v souladu či v kontrastu k minimalistické hudbě. Obrazová a zvuková patetičnost obou filmů se podřizovala jejich hlavní myšlence: ukázat ohroženou krásu naší planety a přispět k její záchraně.

Zrození Evy - volné pokračování Baraky:



Více o filmu najdete zde:

Vznik vesmíru

26. července 2009 v 14:48 | hvezdnysnilek |  obrázky všeho druhu

Vím, že teď není zrovna ta pravá doba...

26. července 2009 v 2:15 | hvezdnysnilek |  články
... ale jinak se připojuji:

Příroda a voda - obrázky

25. července 2009 v 14:32 | hvezdnysnilek |  obrázky všeho druhu

All You Need Is Love

25. července 2009 v 14:22 | hvezdnysnilek |  obrázky všeho druhu
...aneb Láska kvete v každém věku a v každém postavení

Co to je HDR - High Dynamic Range

25. července 2009 v 14:17 | hvezdnysnilek |  články
HDR neboli High Dynamic Range (high dynamic range imaging, HDRI) je technologie, která umožňuje větší dynamický rozsah expozice (mezi nejsvětlejším a nejtmavším bodem) scény než je u normální snímací techniky. Používá se ve fotografii, počítačové grafice a zpracování obrazu.

V počítačové grafice HDRI znamená nasvícení scény využívající místo klasických světel simulujících reálné světelné zdroje speciální bitmapu HDR. Bitmapa HDR obsahuje informace o všech světlech umístěných na scéně. Tato metoda se používá u scén s lesklými objekty a při kompozici reálného a počítačového modelu, protože osvětlení technologií HDR vypadá velice realisticky.
Výhoda HDR je v rozsahu barev, klasické bitmapové formáty (BMP, JPEG, ...) pracují s rozsahem 8 bitů na jednu barvu, což znamená hodnoty 0-255 a až následné osvětlení a dodatečné definování odraznosti. HDR definuje množství světla na daném pixelu - tedy již v HDR textuře je pamatováno, jak se bude předmět opticky chovat. Barevná informace je uložena prakticky neomezeně - používají se čísla s plovoucí desetinnou čárkou, např.: 1,1124545 nebo 4545544,45456. Tvorba HDR obrázků se většinou provádí složením několika různě exponovaných snímků. Síla této technologie, která je mezi 3D modeláři používána již nějakou dobu, je v dokonalejším zobrazení odrazů předmětů (high dynamic range rendering, HDRR nebo HDR Rendering, high dynamic range lighting). Na Internetu je mnoho statických obrázků, které kombinují fotografii s 3D modely a u některých téměř nelze poznat přechod.
HDR používá open source formát souboru OpenEXR s příponou .exr.

(převzato z Wikipedie)

ukázka HDR

Kam dál